Southern Danceworks Set to Highlight Birmingham’s 99 Neighborhoods Through “Lurks Behind” Performance
Unearthing Historic Roots Through Dance
In what can be described as a harmonious blend of art and history, Southern Danceworks, an acclaimed dance company based in The Magic City, announced its latest production, “Lurks Behind”. This unique spectacle promises to be deeply rooted in the history of Birmingham’s 99 neighborhoods.
Notable for its rich tapestry of communities, the city of Birmingham sprawls across ninety-nine neighborhoods, each with its unique story. Sprung from these diverse strands of living history, “Lurks Behind” aims to bring these stories to life in a sensory exploration. The three-year project promises to be a delight to watchers and participants alike, as they journey through time woven in movement and music.
A Thought-Provoking Project
The dance company also announced that the performance is only part of a broader community initiative. To promote inclusivity and engagement, participants are also invited to partake in discussions and movement exercises through the “Heart Workshops: Talking and Moving”. The initiative is designed to facilitate constructive dialogues on pressing issues such as food insecurity and home ownership within their communities.
A Date with History and Dance
The captivating performance will be taking place at the City Walk BHAM Amphitheater, nestled behind the Birmingham Museum of Art. In keeping with the spirit of community, the event will be open to the public, free of charge.
Interested individuals are encouraged to immerse themselves in this experiential journey through the pageant of Birmingham’s unique neighborhoods. Retold through agile bodies, pulsing rhythms and sweeping movements, this narrative traces back to the city’s bedrock, and how it has shaped the community that thrives today.
For more information, and to be part of this remarkable event, visit the link provided. Let the dance take hold, and experience Birmingham’s historical tapestry like never before.
